The best special effects are the ones nobody recognises as effects
Ever since my first sculpting experiments with simple materials, one question has stayed with me: how close can something artificial come to reality? That fascination still drives me today. My aim is not to make special effects visible, but to make them feel so natural that they become part of the story. When even my own brain forgets for a moment that it is looking at a film prosthetic or a special effect, I know I am on the right track.
Tom DoManh
SFX artist
Tom DoManh is an SFX artist from Northern Germany, creating film-ready masks, realistic prosthetics and custom props for international productions — from sculpting to the camera-ready finish.
Selected work from film, theatre and live events.
Experience in numbers
From cinema to streaming — productions equipped with my special effects
Campaigns and brand experiences with make-up and effects solutions
Taken from the first sketch through on-set delivery — across film, stage and live productions
From the first briefing to on-set application — a clear workflow with one dedicated contact.
How I work
Briefing & concept
We define objectives, use and visual direction before developing a robust concept.
Sculpting & mould making
Sculpting, moulds and materials are tailored precisely to the application and production demands.
Fabrication & finish
Painting, hair work and fine details bring every piece to a camera-ready finish.
Fitting & on-set
Fitting, application and on-set support ensure the effect performs reliably in production.
Trusted by production companies, brands and creators across film, theatre and digital formats.
Who I work with
Trusted by and working with
