Characters that come as close as possible to the original.

Yes. Stripe is one of the world's leading payment providers and uses modern security standards and encrypted data transmission.

Your payment information is processed directly through Stripe's secure infrastructure. We do not receive full credit card details and do not store them on our own servers.

As a rule, the charge is made immediately after the order is successfully completed, or according to the payment terms agreed for the respective project.

For custom projects, different payment models may apply.

A payment can be declined for various reasons, for example:

• Insufficient funds

• Incorrect payment details

• Security checks by your bank

• Restrictions on your card

• Technical issues at the payment provider

If a payment fails, I recommend checking your payment details or contacting your bank.

For payments that have already been completed, this is generally not possible. Please contact us if an adjustment is required.

Yes. Depending on country, order value and availability, various instalment options may be offered through Stripe or affiliated payment providers.

Whether instalment payment is available is shown automatically during checkout.

The decision on any financing or instalment plan is made solely by the respective payment provider.

We have no influence over the approval, rejection or terms of any financing offered.

The requirements vary by payment provider and may take into account the following factors, among others:

• Country of residence

• Order value

• Credit check

• Age

• Availability of the payment option in the respective country

If the relevant payment option is available at checkout, this is generally possible.

For large custom projects, we also sometimes offer individual payment models by prior arrangement.

Any fees, interest or financing costs are set by the respective payment provider and shown transparently before the order is completed.

Custom projects often require substantial investment in materials, planning, mould making, design development and working time even before production begins.

A deposit serves to cover these initial project costs and to reserve production capacity on a binding basis.

The amount of the deposit depends on the type and scope of the project.

For custom pieces, the deposit is often between 30% and 50% of the total order value. The exact terms are agreed in writing before the project begins.

Production generally begins only after the agreed deposit has been received and the project has been given final approval.

This depends on the status of the project.

Once development work, material orders or production steps have begun, costs already incurred may apply. The exact terms follow from the respective quote and the agreed contract conditions.

For extensive custom pieces, film productions, creature projects, masks, props or series productions, individual payment plans can be arranged.

A typical payment model might look as follows:

• Deposit on placing the order

• Interim payment during production

• Final payment before shipping or handover

The exact split is arranged individually with the client.

Split payments are offered in particular for larger projects that span a longer production period or have a higher order value.

Individual payment arrangements can be made for production companies, agencies, theatres, amusement parks and other business clients.

Refunds are governed by statutory provisions and the respective contract terms.

For standard products, refunds may be possible under the statutory conditions.

Custom-made products are developed and produced specifically to the client's specifications.

For such custom pieces, different statutory rules on cancellation and return often apply.

If a project is cancelled after production has begun, development, material or production costs already incurred may be taken into account.

The exact billing is based on the actual progress of the project.

After a successful review, an approved refund is generally processed via the payment method originally used.

The actual time until the credit appears may depend on the respective payment provider or bank.

If a product arrives faulty or damaged, please contact us promptly with a description of the problem and clear photos.

We review each case individually and strive for a fast and fair solution.

An invoice is issued for every order.

Yes. Please provide your full company details when ordering so that they can be shown correctly on the invoice.

If incorrect invoice details were provided by mistake, please contact us as soon as possible. We will then look into the options for a correction.

Yes. For larger projects, custom pieces, productions or business clients, we are happy to prepare individual quotes or pro forma invoices on request.

Invoices are stored in accordance with statutory retention periods. This means we can still assist you later if needed.

Production time depends on the particular product and our current order volume. Standard products are usually available more quickly than custom, made-to-order pieces.

For bespoke masks, prosthetics, props or special builds, production can take several weeks or months depending on complexity. Before a project begins, we will inform you of the expected time frame.

Every custom project goes through several production stages. These include concept development, sculpting, mould making, material fabrication, painting, quality control and, where necessary, adjustments.

Because many of these steps are done by hand, producing high-quality special effects takes a corresponding amount of time.

For larger projects, we keep our clients regularly informed about key milestones and the current progress.

Yes. Depending on our current workload, certain projects can be prioritised and completed more quickly.

Because express orders require additional resources and planning, they may incur separate charges.

In many cases, yes. Short-notice requirements arise frequently, especially in the film, advertising and event industries. Please contact us as early as possible so we can assess feasibility.

A binding commitment is only made after an individual assessment of the project, its scope and our available capacity.

Yes. We ship our products both domestically and internationally.

The available shipping options, delivery times and shipping costs depend on the destination country as well as the size and weight of the order.

Yes. As soon as your order has been shipped, you will receive the relevant shipping information and – where available – a tracking number.

International shipments may be subject to additional customs duties, taxes or import charges. These costs are set by the relevant authorities in the destination country and are beyond our control.

Masks, prosthetics and props are packaged carefully to avoid transport damage as far as possible. Depending on the product, additional protective materials and special packaging are used.

A custom, made-to-order piece is a product developed, adapted or manufactured specifically to a client's requirements.

These include, for example:

• Custom masks

• Made-to-measure prosthetics

• Character designs

• Creatures

• Special props

• Client-specific moulds

• Personalised products

In many cases, yes. Because custom projects involve material, time and development costs, a deposit may be required before production begins.

The exact payment terms are agreed in writing before the project starts.

Minor changes are sometimes possible. Extensive changes, however, can cause additional costs and delays.

I therefore recommend reviewing all details carefully before production begins.

A project usually involves the following steps:

1. Enquiry and consultation

2. Concept development

3. Quotation

4. Project approval

5. Production

6. Quality control

7. Shipping or handover

Depending on the project, additional steps may be required.

Yes. Reference images, sketches, mood boards or concept drawings help us realise the desired vision as precisely as possible.

For larger projects, interim stages can be reviewed together. This allows requests and adjustments to be taken into account early on.

Unless expressly agreed otherwise, moulds, production tools, digital files and production data generally remain with the manufacturer.

Alternative arrangements can be agreed on an individual basis.

For many online orders, consumers are generally entitled to a statutory 14-day right of withdrawal. This right applies in particular to distance contracts concluded via the internet, by email or by telephone.

The exact conditions and deadlines are set out in the statutory withdrawal policy.

No. The law provides for various exceptions.

In particular, there is generally no right of withdrawal for goods that are made individually for the customer or are clearly tailored to personal requirements. These often include made-to-measure masks, custom prosthetics, client-specific props or specially developed character designs.

For genuine custom, made-to-order pieces, the statutory right of withdrawal may be excluded even if production has not yet begun. What matters is that it is genuinely an individual piece made to the customer's specification.

For custom-made products, there is generally no statutory right of withdrawal, provided the legal requirements are met. This also applies if your personal opinion changes after placing the order. By staying in close contact with our clients and providing constant production updates, we aim to avoid such situations with custom orders as far as possible.

Your statutory warranty rights in the event of defects naturally remain unaffected.

No. The statutory right of withdrawal is essentially a consumer protection right and generally does not apply to businesses or commercial customers.

Business customers include companies, production firms, agencies, self-employed professionals and other parties acting in the course of their commercial or professional activity.

Cancellation is only possible within the terms of the individually agreed contract. Any development, material or production costs already incurred may be taken into account.

Yes. For larger productions or long-term projects, individual payment and project terms can be agreed.

Please contact us as soon as possible after receiving the delivery and document any transport damage with photos.

We review each case individually and strive to find a quick solution.

The right of withdrawal allows consumers, under certain conditions, to return an order without giving a reason.

Warranty, by contrast, concerns faults or defects in a product. Statutory warranty claims remain in place regardless of any possible withdrawal.

Please contact us with a description of the problem and clear photos. We will review the matter and inform you of the next steps.

Bondo Transfers are ultra-thin skin effects that can be transferred directly onto the skin. They are excellent for scars, cuts, scratches and other injury effects. The big advantage is the super-fast application.

The transfers are applied to the skin using transfer paper and then carefully fixed in place.

Thanks to their thin edges, they merge almost seamlessly with the skin. It is directly comparable to the classic water tattoos from childhood.

Yes. Many users appreciate Bondo Transfers for their comparatively easy application and high realism.

After application, the transfers can be coloured individually to achieve the desired injury effect.

Alcohol-activated colours are common colour systems for achieving ultra-realistic effects.

Since Bondo Transfers consist entirely of thickened/dried Pros-Aide, you can use suitable Pros-Aide removers such as Bond Off.

The skin should then be cleaned and cared for.

Bondo Transfers are primarily designed for single use.

Professional materials are developed for use on the skin. Nevertheless, I generally recommend a patch test before first use.

When applied correctly, transfers can be worn during a shooting day, photo shoot or event.

Foam-latex appliances are usually attached with professional skin adhesives such as Pros-Aide or comparable products.

Thanks to their low weight, they are comfortable to wear and can be placed flexibly on the skin.

Foam latex is light, flexible and moves very naturally with the performer's facial expressions. This makes it ideal for extensive character transformations.

Yes. Many foam appliances can be individually adjusted or trimmed before application.

Foam latex is often painted with PAX paints, cream make-up or alcohol-activated paints.

Depending on the desired effect, different painting techniques can be used.

This depends on the paint system used. In many cases you can work directly on the surface.

Removal is done with a suitable adhesive remover. The skin should then be cleaned and cared for.

Foam latex is more delicate than many silicone products. Careful removal considerably increases its service life.

Foam latex should be kept dry, clean and protected from direct sunlight and strong heat.

Yes. Because of its low weight, foam latex has been used for film, television and theatre productions for decades.

Thanks to its porous structure, foam latex is considerably more breathable than closed silicone prosthetics.

Absolutely! With latex products in particular, tolerance should be tested beforehand, as many people have a latex allergy.

As with all adhesives and cosmetic products, a compatibility test is recommended here too.

Encapsulated silicone prosthetics are usually attached with professional skin adhesives such as Pros-Aide, Beta Bond or silicone adhesives. Before application, the skin should be clean, dry and free of oils or make-up.

Once positioned, the prosthetic is pressed on carefully and the edges are worked cleanly. The encapsulation can then be dissolved with suitable solvents to create transitions that are as invisible as possible.

Basic knowledge of special effects make-up is helpful, but many encapsulated silicone prosthetics can also be used by ambitious beginners.

For best results, I recommend familiarising yourself with the materials and adhesives used before application.

Detailed application instructions are also included with every product.

Smaller prosthetics can be applied within 15 to 30 minutes. Extensive character transformations or multi-part applications can take considerably more time.

Yes. Once applied, the prosthetics can be individually coloured to match the skin tone or the desired character design perfectly.

Depending on the desired effect, alcohol-activated paints or special silicone paints can be used.

The choice of the right system depends on the application and the desired finish. We are happy to advise you on this.

In many cases a light cleaning or matting of the surface is advisable to ensure optimal paint adhesion.

A wafer-thin layer of Pros-Aide over the prosthetic can improve the adhesion of the paints.

Removal should always be done with a suitable adhesive remover. This dissolves the bond between the skin and the prosthetic without straining the skin unnecessarily.

The prosthetic should never be pulled off by force.

Suitable products are, for example, Bond Off or Telesis Remover.

Yes. Once the application is finished, the prosthetic can be carefully released with a suitable remover.

The prosthetics should be stored dry, clean and protected from direct sunlight. Flat storage in dust-free packaging is recommended.

Professional platinum silicones are generally considered skin-friendly. Nevertheless, I recommend a patch test with all the products used before every application.

When applied correctly, encapsulated silicone prosthetics can generally be worn for extended periods.

Addition-cure silicone, also known as platinum silicone or Plat-Sil, is one of the highest-quality materials in the special effects field. It stands out for its high tear resistance, flexibility, durability and excellent detail reproduction.

These silicones are frequently used for professional prosthetics, masks, skin effects and moulds.

• High detail accuracy

• Long durability

• Skin-like movement

• Good tear resistance

• Professional results for film and television

• Custom hardness grades possible

Plat-Sil Gel is a particularly popular special effects silicone used for prosthetics, wounds, skin pieces and character transformations.

It has a skin-like flexibility and can be tinted with special pigments to create realistic skin tones.

Deadener is an additive that makes silicone softer and more pliable. Adding deadener allows the feel of human skin to be simulated more realistically.

Depending on the mixing ratio, different hardness grades are produced for various applications.

Cap plastic is a material often used to create thin prosthetic edges.

After application, the transition layer can be dissolved slightly with alcohol, producing especially fine and nearly invisible edges.

Cap plastic enables clean transitions between the prosthetic and the skin. This reduces the effort needed for blending and significantly improves the end result.

Baldiez is a special material for making bald caps and thin effect pieces. It dries flexibly and can be blended seamlessly into the skin.

Super Baldiez offers greater flexibility and improved properties for professional applications. It is particularly suited to demanding film and television productions.

Bald caps enable a complete transformation of a performer and form the basis for many character make-ups, ageing effects and creature designs.

Bondo transfers are ultra-thin special effects that can be applied directly onto the skin. They are frequently used to depict scars, cuts or other injuries.

Yes. After application they can be individually coloured and matched to the desired skin tone.

Depending on the application, various professional skin adhesives are used. These include water-based adhesives, acrylic adhesives and special silicone adhesives.

The right adhesive ensures a secure hold, comfortable wear and a reliable bond between skin and prosthetic.

As with any cosmetic product, individual reactions can occur. A prior patch test is always recommended.

Two-component (2K) resins consist of two components that are mixed together only shortly before processing. Once cured, they form stable and durable parts.

They are frequently used for props, armour parts, decorations, mould-making and special effects components.

• High stability

• Good detail reproduction

• Long durability

• Versatile applications

• Suitable for film, cosplay and events

Two-component (2K) foams are expanding materials made of two components. During curing they increase in volume and create lightweight, stable structures.

They are frequently used for creature bodies, large props, filler pieces and lightweight constructions.

• Low weight

• Good stability

• Fast processing

• Ideal for large objects

Foam latex is a foamed latex material that has been used in professional special effects for decades.

It has been used in numerous classic films and is especially known for its lightweight, flexible structure.

• Very low weight

• High flexibility

• Comfortable to wear

• Ideal for large-area character make-ups

Yes. Although silicone has become the standard in many areas, foam latex is still used for certain character designs and productions.

I make silicone masks, partial masks, creature masks, horror characters, fantasy beings, custom character designs and bespoke pieces.

Special builds are bespoke projects that go beyond classic prosthetics or masks. These include creature heads, body parts, special costume elements or unique exhibition pieces.

Yes. Every mask can be customised in terms of size, design, paintwork and level of detail.

Production time depends on the scope of the project. Simple adjustments take considerably less time than entirely new character developments.

Yes. Many of our projects are created entirely to customer specifications and developed specifically for their particular use.

I make film props, fantasy weapons, sci-fi objects, horror props, decorative items, cosplay props and custom bespoke pieces.

Yes. Many of our projects are created based on customer ideas, concept drawings or reference images.

Most of our props serve decorative or performance purposes. The exact functionality depends on the respective project.

Yes. For productions or events, multiple identical copies can be produced.

We develop and produce custom special effects, masks, prosthetics and props. This includes sculpting, mould making, casting, silicone work, surface finishing and final assembly.

Yes. For many projects we develop bespoke moulds that enable precise and repeatable production.

Depending on the project, various materials are used, such as silicone, resin, plastic, 3D-printed components or special mould-making materials.

Yes. In addition to one-off pieces, small batches and larger production quantities can also be made.

Yes. Modern 3D printing technologies can be integrated into the development and production process to realize complex shapes and precise details.

Yes. I offer the professional application of silicone prosthetics, wounds, scars, ageing effects, creature designs and other special effects.

In doing so, we pay attention to clean workmanship, natural transitions and a secure hold throughout the entire use.

We work with a wide range of prosthetics, including facial prosthetics, wounds, burns, creature parts, fantasy characters, zombie effects, scars and ageing make-ups.

The duration depends on the scope of the project. Smaller wounds can be applied within a few minutes, while extensive character transformations can take several hours.

With correct application, prosthetics can be worn for several hours up to a complete shooting day, depending on the duration of use.

Yes. Every project is unique. Prosthetics can be adapted to face shapes, skin tones or specific production requirements.

Yes. Our workshops are aimed at both beginners and advanced participants who want to expand their skills in the field of special effects.

Depending on requirements, topics such as mould making, silicone processing, prosthetic fabrication, mask making, painting, skin effects, injuries, creature design or materials science can be covered.

Yes. One-on-one coaching and individual training can be tailored specifically to the needs of individuals, teams or productions.

Depending on the project and location, workshops can also be held directly at the client's premises or in a production environment.

Not necessarily. Many workshops are structured so that beginners can learn the fundamentals of special effects work.

Yes. Depending on the type of workshop, we remain available for questions and further support even after it has finished.

Yes. I offer workshops and training for production companies, schools, universities, theatres, theme parks, event agencies and other organisations.

In most cases the necessary materials and tools are provided for the duration of the workshop. Details are discussed individually in advance.